The Critische Dichtkunst is examined in terms of three disparate traditions: the modern reception of Aristotle’s Poetics, Horace’s Ars poetica, and the Quarrel between the Ancients and the Moderns; the model of consciousness proposed by Leibniz that describes the mind as a ceaseless process of historical intellective integration; and the German reception of French neoclassical authors, especially Dubos, whose notion of historical probability was radicalized by Breitinger and later appropriated by poets and historians alike.
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