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Enter Three Witches

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1 of 1 copy available
1 of 1 copy available
Bren wondered, but not for long, why his normally cheerful, easy-going life had suddenly begun to seem hopelessly complicated. He was learning to run the lights for his school's production of Macbeth, but that was fun, and so was almost everything about his first serious relationship—everything except the fact that he couldn't bring his girl friend home. Bren had never really minded living with three witches, but now he did. How could he explain that his beautiful mother spent hours casting spells in her bat-haunted tower room while his grandmother told fortunes to paying customers in the living room and their housekeeper raised black chickens in the garden apartment for uses it was best not to contemplate? His father, after getting up in the morning to find a baby bat in his shoe and a python in his shirt drawer—the culmination of a long series of such events—had exchanged the spacious old house for a simple, brick box on the East side.To make matters worse, Bren learned that Erika, his girl, had been cast as First Witch in Macbeth, so now he felt himself to be wallowing in witches. She was also not one to take no for an answer and soon bent an agile mind to unraveling the mystery of Bren's family. When on opening night only Erika saw three figures outlined in blue fire at the balcony rail, the amazing technical effects that followed were explained, if only to her."One of the most intelligently funny young-adult fantasies to come out in years..."—2/LOCUS May 1991"The combination of first romance and magic is a dynamic one, and Gilmore nimbly carries off the blend with wit and grace."—Booklist, starred review
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    • Publisher's Weekly

      March 1, 1990
      Bret lives on the Upper West Side of Manhattan and, at 16, he's met his first love. Ironically, Erika, the girl of his dreams is playing a witch in their school production of Macbeth. In real life, Bret's mother is a witch, his grandmother a fortune-teller and their tenant a voodoo priestess. As for Bret's father, he has moved out and sees Bret only on weekends. Longing for a normal family, Bret tries to keep his odd relatives a secret from Erika, but finds that parents aren't something one can hide, especially when they are determined to be ``helpful.'' Calling to mind a family-problem-novel version of Suzy McKee Charnas's The Silver Glove , Gilmore offers a portrait of young love by way of stagecraft and magic. Not as dramatic as her Remembrance of the Sun , the story nevertheless has a quiet, solid charm. Ages 10-14.

    • School Library Journal

      April 1, 1990
      Gr 7-12- -A quirky YA novel that sparkles with a sense of humor, graceful style, fully drawn setting, and rich characters. It chronicles how Bren copes with his parents' separation, his first love, his responsibilities in the school play, and his yearning for a normal, uneventful life. Beyond the array of these typical teenage trials is the plot's pivotal twist: Bren's mother is a practicing witch who insists on summoning him at the moment of his first kiss, providing special effects for the school's production of Macbeth, and meddling in his life with powers beyond those of an ordinary interfering mother. The denouement, in which the ordinary meshes with the supernatural, lapses into silliness, but, on the whole, this is an entertaining and magical story. -Doris A. Fong, Benson Polytechnic High School, Portland, OR

    • The Horn Book

      January 1, 1990
      Sixteen-year-old Bren has a problem: how to keep his new girlfriend from discovering that his mother and grandmother are practicing witches. Subplots about the school production of 'Macbeth' and Bren's mother's attempts to bewitch her estranged husband are well integrated into this appealing story. Although the ending is disappointing, the combination of romance and witchcraft should ensure its popularity.

      (Copyright 1990 by The Horn Book, Incorporated, Boston. All rights reserved.)

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