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Violet Hart is a photographer who has always returned to cobble out a life for herself in the oddly womblike interiors of Detroit. Nearing forty, she's keenly aware that the time for artistic recognition is running out. When her lover, Bill, a Detroit mortician, needs a photograph of a body, she agrees to takes the picture. It's an artistic success and Violet is energized by the subject matter, persuading Bill to allow her to take pictures of some of his other “clients," eventually settling on photographing young, black men.
When Violet's new portfolio is launched, she quickly strikes a deal, agreeing to produce a dozen pictures with a short deadline, confident because dead bodies are commonplace in Detroit and she has access to the city's most prominent mortician. These demands soon place Violet in the position of having to strain to meet her quota.
As time runs out, how will Violet come up with enough subjects to photograph without losing her soul or her life in the process? A riveting novel of psychological suspense, Patricia Abbott continues to cement herself as one of our very best writers of the darkness that lies within the human heart.
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Creators
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Publisher
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Release date
June 14, 2016 -
Formats
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Kindle Book
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OverDrive Read
- ISBN: 9781943818143
- File size: 690 KB
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EPUB ebook
- ISBN: 9781943818143
- File size: 934 KB
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Languages
- English
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Reviews
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Publisher's Weekly
April 18, 2016
Abbott follows her well-received suspense debut, Concrete Angel, with a macabre but perceptive novel set in Detroit. Nearing 40, Violet Hart is not yet successful with her photographic career and has doubts about her talent. She wanders decayed Belle Isle, once a fashionable waterside city park, now crawling with the homeless, the criminal, and the mentally ill. After accepting a commission from her handsome lover, mortician Bill Fontenel, to photograph a young man’s corpse for his grieving relatives, Violet becomes inspired to create a series of images of the dead that she hopes will make her reputation as a serious artist. She enlists Bill’s reluctant help in making a quick deadline for an exhibit of her series. Her need for bodies involves Violet, who’s tormented by personal and professional issues, in a serious police investigation. Some readers may feel that Abbott teeters on the brink of distasteful sensationalism, but she makes some telling points about the sometimes questionable relationship between art and morality. -
Library Journal
June 15, 2016
At 40, Violet Hart is a down-on-her-luck photographer still waiting for her big break. Living in Detroit, with its plethora of crumbling and abandoned buildings, she is drawn to "ruin porn," but her focus changes when her lover Ben, a mortician catering to the black community, asks her to take a final photo of a family's loved one. In this moment she finds inspiration to capture the images of at least a dozen young black men in their final state of repose and to exhibit these pictures in her own one-woman show. By immersing herself in the world of the dead and constantly searching for "unusual" scenes to shoot, Violet inadvertently places herself, and those around her, in harm's way. Derringer Award-winning author Abbott (Concrete Angel) has delivered a fresh look at the disintegration of Detroit as seen through the lens of a camera. Less a suspense novel than the plot summary may imply, it is instead a detailed account of one woman battling her inner demons against the backdrop of a city that is doing the same. VERDICT This title is bound to have strong regional appeal, and fans of Megan Abbott may be curious, as the author is Abbott's mother.--Amy Nolan, St. Joseph, MI
Copyright 2016 Library Journal, LLC Used with permission.
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Booklist
May 1, 2016
As she nears 40, Detroit photographer Violet Hart is eking out a living shooting weddings and bar mitzvahs and looking for an artistic project. Then Bill Fontenel, the mortician she's romantically involved with, asks her to photograph a young man at the request of his family after his corpse has been prepared for burial. Violet has found her project: shooting young, dead black men (with the consent of their loved ones). Always looking for what is edgy, Violet also bonds with a young bipolar man who's building a sculpture of found objects, including human body parts that wash up from the Detroit River. This friendship, as well as her involvement with death, makes Violet suspicious in the eyes of the police. Soon she's strugglingwith concerns about her project, with a revelation about her racial background, and with what seems Bill's waning interest in herwhen the plot takes a final, tragic turn. Although less gripping than Abbott's debut, Concrete Angel (2015), this is an assured mystery centering on artistry and the price that can be paid for it.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)
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