In Between Days

June 18, 2012
Crises approach from all sides for the Harding family in Porter’s (The Theory of Light and Matter) debut novel set in contemporary Houston, Tex. Architect father Elson, bitterly divorced from Cadence, struggles to stay connected to his much younger Filipina girlfriend, Lorna, while his children become unmoored. Son Richard, a gifted poet recently graduated from college, is living at home with his mother, tumbling into drugs and self-loathing as he figures out what to do with his life. Tipping the fragile family balance into chaos is the sudden return of daughter Chloe, who has taken an involuntary leave of absence from college after a potentially criminal connection to an incident involving her mysterious boyfriend Raja. Chloe’s abrupt disappearance soon after her arrival disrupts everyone as it soon becomes clear that Chloe will do anything for love. The improbable plot progresses through the perspective of each major family member with backward glimpses into the origins of the family’s current troubles and gestures to a potential future, but with the exception of Elson, the characters and their relationships are rarely convincing. And when a central conflict revolves around whether 20-something Richard will get an M.F.A. in poetry, any tension easily dissipates. The prose, while extremely competent, is excessive, with long passages of unnecessary dialogue, unnecessary exposition, and unconvincing interior monologues. An ambitious but ultimately disappointing look at a dysfunctional modern family. Agent: Terra Chalberg, Susan Golomb Agency.

March 15, 2013

The spectacularly dysfunctional Harding family of Houston, TX, has exploded. Parents Elson and Cadence have separated, and Elson is already alienating his much younger girlfriend. Son Richard numbs himself with drugs and anonymous sex. At a distant college, daughter Chloe falls in love with Raja and disappears with him following allegations of some kind of assault. Author Porter largely ignores the old advice about showing the reader, rather than telling them, and summarizes much of the story from various characters' viewpoints. He skillfully withholds critical information though, giving the story the hook it needs to entice the reader through this swamp of unhappiness. Narrator Mark Bramhall handles a variety of accents well and subtly distinguishes an array of interior lives. VERDICT Sharply observed characters make this a likely purchase for literary fiction collections. ["An examination of the development of identity as seen through the lens of the disintegration of family; highly recommended," read the review of the Knopf hc, LJ 7/12.--Ed.]--John Hiett, formerly with Iowa City P.L.

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